Essay on social networking good or bad| Essay on social
For An Argumentative Argumentative Essay On Social Networking Sites
There is even a test video on Netflix you can use from a laptop to see how far your connection will allow it to ramp up (has a bitrate meter on screen like the sony), and I hit 4300 1080p level without issue. Not sure what the heck is going on. I use my PS3 and 2013 smart TV to stream from Netflix and I have noticed in the past week that streams in the evening, during peak times, the streams on the PS3 often are at 480 or 720p, whereas they were often at 1080p Super HD within a minute or so. My smart TV doesn't do as well during peak hours, so I rarely use it unless it's early in the day, but I did run some tests during the past week and found it often was at 384 or 480. I downloaded some large files from the Internet fairly quickly last night. For instance, just before I started watching TV I downloaded a file that was over 40 MB in very acceptable time. My service provider is AT&T U-verse at 12 Mbps down. It is sounding more like a problem with congestion on Netflix's end. Of course, we won't know. And in mere seconds someone on the boards will write a lengthy essay on networking in response...3...2...1...
ICT digital essay on social networking
I started this reflective essay on networking with a reference to the movie Wall Street and it’s dramatization of a superstar networker Gordon Gekko. I then proceeded to register the importance and inescapability of networking in the daily life of humans living in the city, working on the job, and participating in all manner of organizational life. The term “networking” is a metaphor borrowed from business vernacular that reeks of an arid instrumentality. I attempted to invest a spiritual vitality into the term by drawing specifically from a Christian framework (other spiritual perspectives and religious traditions could offer similar and alternative interpretations) that yielded a scale and scope of meaning beyond the technical definition. I will end by invoking another visual narrative from the 2005 Academy Award-winning Best Picture, Crash. Director Paul Haggis presents a Los Angeles, and by extension all cosmopolitan centers, a city robust in connections and conflicts. Modern urban life is a polyglot of human interaction replete with a dizzying diversity of political perspectives, cultural rituals, and religious practices. Crash captures on celluloid and provokes in audiences the beautiful sights and cacophonous sounds that make Los Angeles a network of networkers. In the horizon of the movie Crash and the metaphor “networking” is the human desire and demand for collaborating, caring, and connecting.